Apropos of Editing and Camera Cues: A Comparative Analysis of the Screenplay Texts for Federico Fellini’s Le notti di Cabiria/ Nights of Cabiria (1957)
| dc.contributor.author | Romanelli, Claudia | |
| dc.date.accessioned | 2026-07-06T21:44:45Z | |
| dc.date.available | 2026-07-06T21:44:45Z | |
| dc.date.issued | 2026-05-28 | |
| dc.description | The Bloomsbury Handbook of Global Screenplay Theory offers a comprehensive introduction and overview of screenplay theory as applied in the analysis of numerous screenplays from an international, multi-author perspective, including both leading and emerging scholars in the field. Each section includes 6-8 case studies of theory applied in the analysis of a landmark screenplay. | |
| dc.format.extent | 14 p. | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.citation | “Apropos of editing and camera cues: A comparative analysis of the screenplay texts for Federico Fellini’s Le notti di Cabiria / Nights of Cabiria (1956).” The Bloomsbury Handbook of Global Screenplay Theory. Eds. Andrew Kenneth Gay and Ann Igelstrom. New York: Bloomsbury, 2026. 285-298. https://doi.org/10.48707/H6EK-2H49 | |
| dc.identifier.doi | Entire book: 10.5040/9781501394096 | |
| dc.identifier.doi | Book chapter: 10.48707/H6EK-2H49 | |
| dc.identifier.isbn | 9781501394065 | |
| dc.identifier.uri | https://ir.ua.edu/handle/123456789/17953 | |
| dc.language | English | |
| dc.language.iso | en_US | |
| dc.publisher | Bloomsbury Publishing | |
| dc.relation.ispartofseries | Bloomsbury Handbooks | |
| dc.title | Apropos of Editing and Camera Cues: A Comparative Analysis of the Screenplay Texts for Federico Fellini’s Le notti di Cabiria/ Nights of Cabiria (1957) | |
| dc.type | Book chapter |