Generic criticism of extraordinary documents: an inquiry into manifesto texts and genre scholarship

dc.contributorBagley, Meredith M.
dc.contributorButler, Jeremy G.
dc.contributor.advisorBlack, Jason Edward
dc.contributor.authorSummers, Ian
dc.contributor.otherUniversity of Alabama Tuscaloosa
dc.date.accessioned2017-03-01T16:47:32Z
dc.date.available2017-03-01T16:47:32Z
dc.date.issued2013
dc.descriptionElectronic Thesis or Dissertationen_US
dc.description.abstractWhile there is no shortage of rhetorical scholarship on social movements, there is curiously a lack of standalone research on the manifesto texts affiliated with them. At best, they are subsumed with broader inquiries into a social movement and treated as a secondary text rather than as a primary discourse, despite the rich insights they provide both rhetorically and culturally. Additionally, genre criticism as a rhetorical method has also fallen out of mainstream research in recent times. This study attempts to fill a scholarly gap in both of these areas by exploring whether movement manifestos constitute their own rhetorical genre through the examination of The Declaration of Independence, the "Declaration of Rights of the Negro Peoples of the World," "The Southern Manifesto," "The Woman-Identified Woman," and "Queers Read This." First, by analyzing these texts through the lenses of war myth, Burkean theory, and constitutive rhetoric, this study attempts to determine if manifestos do constitute their own genre. Additionally, it seeks to ascertain whether such a genre provides scholarly benefit beyond classification. In the conclusions, this study discusses whether the evolution of social protest as well as the postmodern turn in rhetorical criticism still allows for meaningful generic criticism to occur. As a result, it is clear that a reconceptualization of genre criticism offers rhetorical scholars a renewed tool in examining social protest and change.en_US
dc.format.extent129 p.
dc.format.mediumelectronic
dc.format.mimetypeapplication/pdf
dc.identifier.otheru0015_0000001_0001245
dc.identifier.otherSummers_alatus_0004M_11511
dc.identifier.urihttps://ir.ua.edu/handle/123456789/1716
dc.languageEnglish
dc.language.isoen_US
dc.publisherUniversity of Alabama Libraries
dc.relation.hasversionborn digital
dc.relation.ispartofThe University of Alabama Electronic Theses and Dissertations
dc.relation.ispartofThe University of Alabama Libraries Digital Collections
dc.rightsAll rights reserved by the author unless otherwise indicated.en_US
dc.subjectCommunication
dc.subjectRhetoric
dc.titleGeneric criticism of extraordinary documents: an inquiry into manifesto texts and genre scholarshipen_US
dc.typethesis
dc.typetext
etdms.degree.departmentUniversity of Alabama. Department of Communication Studies
etdms.degree.disciplineCommunication Studies
etdms.degree.grantorThe University of Alabama
etdms.degree.levelmaster's
etdms.degree.nameM.A.
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