An introduction to an operetta: Pauline Viardot's Le Dernier Sorcier for the young opera studio

dc.contributorHoughtaling, Paul H.
dc.contributorCummins, Linda
dc.contributorZaheri, Amir
dc.contributorFeeney, Tim
dc.contributorMayer, Carmen
dc.contributor.advisorFleming, Susan C.
dc.contributor.authorBeasley Kneer, Lydia Ellen
dc.contributor.otherUniversity of Alabama Tuscaloosa
dc.date.accessioned2018-07-11T16:49:24Z
dc.date.available2018-07-11T16:49:24Z
dc.date.issued2018
dc.descriptionElectronic Thesis or Dissertationen_US
dc.description.abstractThis document discusses the performance possibilities of Le dernier sorcier, an operetta by composer Pauline Viardot and librettist Ivan Turgenev, for the young opera studio, and contains a performance edition of the work. The edition includes piano accompaniment, French text, an original English translation of the libretto dialogue, and an annotated score based on Viardot’s manuscript papers located at the Hollis Library at Harvard University. Pauline Viardot was an internationally-renowned mezzo soprano in the nineteenth century who also demonstrated superb skills as a pianist and a keen interest in vocal composition. Unfortunately, as with many other women composers throughout the history of Western music, Viardot’s compositions remain overlooked and underappreciated. After retiring from the opera stage, Viardot turned her attention to teaching, which inspired her to compose works with a specific educational purpose in mind. Due to their practical nature, Viardot’s vocal works are often straightforward and accessible, while still posing appropriate challenges to the performers. Since Viardot’s operettas were composed specifically for her young female students, Le dernier sorcier would make an excellent repertoire choice for undergraduate university opera programs. It is the author’s hope that, through a discussion of historical context, an overview of the music and libretto, and an original performance edition, Le dernier sorcier will become an accessible option for undergraduate performance, and that the work itself will stimulate further interest in the remainder of Viardot’s operettas and vocal works.en_US
dc.format.extent243 p.
dc.format.mediumelectronic
dc.format.mimetypeapplication/pdf
dc.identifier.otheru0015_0000001_0002971
dc.identifier.otherBeasleyKneer_alatus_0004D_13458
dc.identifier.urihttp://ir.ua.edu/handle/123456789/3656
dc.languageEnglish
dc.language.isoen_US
dc.publisherUniversity of Alabama Libraries
dc.relation.hasversionborn digital
dc.relation.ispartofThe University of Alabama Electronic Theses and Dissertations
dc.relation.ispartofThe University of Alabama Libraries Digital Collections
dc.rightsAll rights reserved by the author unless otherwise indicated.en_US
dc.subjectMusic
dc.subjectMusic history
dc.subjectPerforming arts
dc.titleAn introduction to an operetta: Pauline Viardot's Le Dernier Sorcier for the young opera studioen_US
dc.typethesis
dc.typetext
etdms.degree.departmentUniversity of Alabama. School of Music
etdms.degree.disciplineMusic
etdms.degree.grantorThe University of Alabama
etdms.degree.leveldoctoral
etdms.degree.nameD.M.A.
Files
Original bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
file_1.pdf
Size:
5.5 MB
Format:
Adobe Portable Document Format