There Is a Balm: Performance, Voyeurism, and Public History through Beyoncé’s Lemonade.

dc.contributor.author	Richardson, Athena F.
dc.contributor.other	University of Alabama Tuscaloosa
dc.date.accessioned	2019-09-05T17:49:33Z
dc.date.available	2019-09-05T17:49:33Z
dc.date.issued	2017
dc.description	This is a student colloquium project in satisfaction towards a graduate level American Studies course at the University of Alabama.	en_US
dc.description.abstract	The most impactful gems of wisdom are passed down from generation to generation through stories and pictures. Lemonade, the visual album released by Beyoncé in April 2016, follows the African tradition of storytelling by incorporating references to African Mythology, Southern black culture and current events into a story about relationship infidelity. The release was a blockbuster success, and while mainstream media dissected the intimate portrait Beyoncé appeared to reveal about her marriage, black women discussed a message quite prominent to them but unrecognized by mainstream media.	en_US
dc.format.mimetype	application/pdf
dc.identifier.citation	Richardson, A. (2017): There Is a Balm: Performance, Voyeurism, and Public History through Beyoncé’s Lemonade. Colloquium Project Required by AMS 596 Master’s Degree Program at the University of Alabama.
dc.identifier.uri	http://ir.ua.edu/handle/123456789/6232
dc.rights.holder	Athena F. Richardson
dc.title	There Is a Balm: Performance, Voyeurism, and Public History through Beyoncé’s Lemonade.	en_US
dc.type	text

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