As a pivotal moment in “the Troubles,” various media have portrayed the 1981 hunger strike, including documentary films and print journalism, as well as artistic representations that span from murals and street art to feature-length films. I would like to explore the theoretical framework of a digital archive that will support the complexity of this historical event, both in the content of the material and the cultural issues that arise from addressing a traumatic moment for Northern Irish communities. I approach this project from a humanities perspective to push the boundaries of traditional archival practices while experimenting with developments in the field of digital humanities. I am particularly invested in how systems-level archival construction can foster dynamic (re)readings of the past. I also explore the ethical responsibilities and repercussions of such an archival system. Ideally, this archive will contribute to our understanding of the hunger strike and help illuminate other protests in separate conflicts. However, sociological conditions and the limitations of electronic archives suggest this will be a difficult process.