Black women as monuments in Nella Larsen's Quicksand

Show simple item record

dc.contributor Harris, Trudier
dc.contributor Purvis, Jennifer
dc.contributor.advisor Manora, Yolanda M.
dc.contributor.author Barksdale, Nadia Ashae
dc.date.accessioned 2017-04-26T14:23:16Z
dc.date.available 2017-04-26T14:23:16Z
dc.date.issued 2015
dc.identifier.other u0015_0000001_0001970
dc.identifier.other Barksdale_alatus_0004M_12369
dc.identifier.uri http://ir.ua.edu/handle/123456789/3000
dc.description Electronic Thesis or Dissertation
dc.description.abstract Given examples such as the Statue of Liberty and various Civil War monuments to the Confederate “Lost Cause,” it is clear that many monuments rooted in the American landscape take the form of the female body. I propose that this public prevalence translates into a rootedness in the American consciousness as well. With monuments, we honor the past and attempt to make permanent the ideologies that fit with and bolster our collective memory. This collective memory is, of course, a testament to the greater hegemonic forces that structure societies. Thus, marginalized bodies are often not inscribed within this narrative. Women’s bodies, however, are used to convey these hegemonic, masculine-centered ideologies in the form of monuments. Because this phenomenon is so present in the American (sub)conscious, I argue that such consciousness bleeds into the literary realm. This thesis attempts to make sense of the process of monumentalization and its deleterious effects on women, who, because they resemble such monuments, are subject to this process. As men construct physical monuments on the landscape in order to bolster their own masculine-centered power structures and ideologies, so do they attempt to construct femininity in such a way that achieves the same effect in every day life. I use Nella Larsen’s 1928 novel Quicksand as an example of how men and masculine-centered forces attempt and, ultimately fail, to monumentalize living women, specifically women of color, who face a unique set of constraints on their sexuality and identity within society. With Helga Crane as an example of a woman who undergoes attempted monumentalization in several different environments and by several different men or male-centered societal forces, I examine the deleterious effects that monumentalization has on the woman’s ability to self-fashion her own identity.
dc.format.extent 60 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other American literature
dc.subject.other African American studies
dc.subject.other Women's studies
dc.title Black women as monuments in Nella Larsen's Quicksand
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. Dept. of English
etdms.degree.discipline English
etdms.degree.grantor The University of Alabama
etdms.degree.level master's
etdms.degree.name M.A.


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Browse

My Account