Motive and form in Lowell Liebermann's four Sonatas for violoncello and piano

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dc.contributor Cummins, Linda
dc.contributor First, Craig P.
dc.contributor Grégoire, Jenny
dc.contributor Lamme, Margot Opdycke
dc.contributor Yates, Eric
dc.contributor.advisor McCreery, Carlton H.
dc.contributor.author Nordlund, Samuel
dc.date.accessioned 2017-03-01T17:42:39Z
dc.date.available 2017-03-01T17:42:39Z
dc.date.issued 2016
dc.identifier.other u0015_0000001_0002299
dc.identifier.other Nordlund_alatus_0004D_12710
dc.identifier.uri https://ir.ua.edu/handle/123456789/2638
dc.description Electronic Thesis or Dissertation
dc.description.abstract This manuscript explores the four sonatas for cello and piano by Lowell Liebermann, and is accompanied by my recording of the works, in collaboration with pianist Kevin Chance. These works were composed between 1978 and 2008, but are not yet part of the standard repertoire. Given the lack of well-known sonatas for cello and piano since the mid-20th century, there is a distinct need to promote high-quality new music of this genre. Not only do Liebermann’s sonatas fill a void, but with more exposure, they would appeal to a majority of performers and listeners alike. In this manuscript, I will focus my analysis on Liebermann’s use of sectional forms and simple motives in the sonatas. I will also explore the marked difference between the atonal first sonata and the tonal, lyrical later ones that reflect a much more mature composer, able to fuse highly sectional forms with his own unique sense of style. As only one recording of the sonatas, featuring cellist Dmitri Atapine and pianist Hyeyeon Park, has been publicly released, our new recording will present the works to a wider audience and will offer a different interpretation based on observations developed in the manuscript. My hope is that, in consequence of this project, these sonatas will become more widely performed and recorded, and will form a significant addition to the cello and piano repertoire.
dc.format.extent 40 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Music
dc.title Motive and form in Lowell Liebermann's four Sonatas for violoncello and piano
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. School of Music
etdms.degree.discipline Music
etdms.degree.grantor The University of Alabama
etdms.degree.level doctoral
etdms.degree.name D.M.A.


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