1/9: liquid thread and the fallow stone three euphonium concertos on one euphonium solo line

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dc.contributor Alley, Stacy L.
dc.contributor Cummins, Linda
dc.contributor Peles, Stephen
dc.contributor Robinson, Thomas
dc.contributor.advisor First, Craig P.
dc.contributor.author Holden, Derek Michael
dc.date.accessioned 2017-03-01T17:41:41Z
dc.date.available 2017-03-01T17:41:41Z
dc.date.issued 2016
dc.identifier.other u0015_0000001_0002273
dc.identifier.other Holden_alatus_0004M_12705
dc.identifier.uri https://ir.ua.edu/handle/123456789/2618
dc.description Electronic Thesis or Dissertation
dc.description.abstract For every concerto written for euphonium and orchestra, there inevitably follows a poorly-crafted reduction of the orchestra’s material. Due to the acoustic properties of the euphonium, many lines of counterpoint that would work in an orchestra or wind ensemble simply will not be heard on piano. The act of reduction or arrangement in general of these original compositions puts the euphonium at odds with the original intent of the work. Orchestras, wind ensembles, and pianos vary significantly in their acoustical properties. Rather than try to force music where it does not belong, I have opted to write a euphonium concerto in three different versions. With each version, the euphonium solo line is treated like a cantus firmus. It remains totally unchanged, allowing any performer of the work to have three different pieces to perform out of one line. The counterpoint around the euphonium varies wildly among the three different versions: euphonium and piano, euphonium and orchestra, and euphonium and wind ensemble. The level of variation creates three pieces that sound totally different, yet are drawn from the same source material. Not only does this allow each ensemble to be treated idiomatically, but it allows for multiple treatments of a single line of counterpoint.
dc.format.extent 80 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Music
dc.title 1/9: liquid thread and the fallow stone three euphonium concertos on one euphonium solo line
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. School of Music
etdms.degree.discipline Music
etdms.degree.grantor The University of Alabama
etdms.degree.name M.M.

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