Abstract:
Hip-hop is a transnational musical genre that has historically affected the lives of marginalized youth in powerful ways across the "Black Atlantic." By using a womanist framework of analysis, this thesis illuminates the ways in which three British hip-hop MC's-Akala, Logic, and Lowkey-employ their music to enact spiritual activism. I explore how their music explicitly and implicitly centers on spirituality and seeks to break down the barriers necessary for spiritual awareness and growth through the awakening and/or transformation of consciousness.
