Transgresión, transformación y paradoja en las aventuras transatlánticas de la Monja Alférez, Doña Catalina de Erauso contadas por ella misma

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dc.contributor Cipria, Alicia
dc.contributor Worden, William
dc.contributor Clayton, Lawrence
dc.contributor Edmunds, Bruce
dc.contributor.advisor Janiga-Perkins, Constance
dc.contributor.author Vargas, Maria Esperanza
dc.date.accessioned 2017-03-01T16:46:53Z
dc.date.available 2017-03-01T16:46:53Z
dc.date.issued 2013
dc.identifier.other u0015_0000001_0001201
dc.identifier.other Vargas_alatus_0004D_11512
dc.identifier.uri https://ir.ua.edu/handle/123456789/1675
dc.description Electronic Thesis or Dissertation
dc.description.abstract This dissertation concentrates on three main areas related to the life and adventures narrated in Vida i sucesos de la Monja Alférez, the autobiography of Catalina de Erauso, the Lieutenant Nun, who escaped from a convent, reconfigured her self-image and, dressed as a man, joined the Spanish Army in the conquest of México and Perú. With her escape and subversive self-engendering, Erauso abandoned the private spheres of the home and convent mandated by the patriarchy and obtained freedom, agency, and historical relevance. First, I examine her transformation into the author/narrator/protagonist subject she became with the writing of her autobiography, a hybrid product that includes elements of other genres; her work is analyzed to address questions of veracity, authenticity, and possible mediation of others in this text that many consider apocryphal for lack of an original manuscript. Also, I examine her text from the perspective of criticism received for the inclusion of ficcional passages, to contradict such claims based on research in autobiographical studies that consider fiction a constitutive element of any autobiography. Second, the focus encompasses the subversion of social law and patriarchal authority that reshaped her into the transgressive subject through her escape, life as a transvestite woman-soldier, lesbian tendencies, and appropriation of masculine territory with the writing of an autobiography designed to obtain remuneration from the Spanish Crown for her military services, and permission from the Pope to live legally as a man. I also examine her transvestism as mask and as instrument of construction of her masculine personality; issues of gender identity and generic imitation; the symbolism of clothing; the socio-cultural factors contributing to the success of her enterprise; and why Erauso was never punished for her transgressions. Finally, I focus on Erauso as the famous individual she became in her lifetime, acclaimed by the eminent and powerful after her transvestism became public. I explore the socio-cultural phenomenon she became and list some cultural products inspired by her life and autobiography such as plays, novels, films, and contemporary popular and academic essays, all of which are testimony to her power to stand the test of time.
dc.format.extent 225 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Literature
dc.subject.other Latin American literature
dc.subject.other Women's studies
dc.title Transgresión, transformación y paradoja en las aventuras transatlánticas de la Monja Alférez, Doña Catalina de Erauso contadas por ella misma
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. Dept. of Modern Languages and Classics
etdms.degree.discipline Romance Languages
etdms.degree.grantor The University of Alabama
etdms.degree.level doctoral
etdms.degree.name Ph.D.


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