The handmade artists' book: space, materiality, and the dynamics of communication in book arts

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dc.contributor Miller, Steve
dc.contributor Kuntz, Aaron M.
dc.contributor Embree, Anna
dc.contributor Edwards, Janis L.
dc.contributor.advisor Weddle, Jeff
dc.contributor.author Clark, Amanda C. R.
dc.date.accessioned 2017-03-01T16:46:45Z
dc.date.available 2017-03-01T16:46:45Z
dc.date.issued 2013
dc.identifier.other u0015_0000001_0001186
dc.identifier.other Clark_alatus_0004D_11394
dc.identifier.uri https://ir.ua.edu/handle/123456789/1661
dc.description Electronic Thesis or Dissertation
dc.description.abstract This study considers the contemporary handmade artists' book - books that are art - as dynamic vessels of cultural communication and social transcripts worthy of collection in libraries and archives. Artists' books are reviewed in terms of their physicality and power as material objects, with special attention given to the one-of-a-kind artists' book type. While the history and definition of the term "artists' book" is discussed briefly, debates over definitions of terminology and rigid categorizations are largely avoided. Historiography regarding extant scholarship within the field of artists' books also is covered. Following a humanities approach that combines the fields of art history - which employs a decidedly visual approach to analysis - and library studies, these works of book art are examined in three manifestations: as art, as contained within the library or archive, and as container of knowledge. The tripartite division of this work likewise reflects a progression from historical consideration to practical application regarding institutional acquisition, cataloging, and collection development, and lastly theoretical analysis. Also explored is the relationship between viewer and object particularly in terms of intimacy, narrative or story, and the placement of the artists' book within space and time. This work argues for the importance of the physical book, and emphasizes viewer interaction with handmade artists' books as an intimate experience bound by time and space, an experience laden with cultural information and social knowledge. As a humanizing art medium and vessel of communication particularly well suited to library collections, the significant role of the librarian is summarized with respect to access to these records of the human experience. This dissertation urges librarians and scholars to value artists' books as source material for significant research, and assesses important pragmatic concerns faced by librarians who collect and promote them. Included in this study is an Appendix listing more than 200 artists' books handled and considered by the author, from selected college and university collections in the Pacific Northwest of the United States.
dc.format.extent 398 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Library science
dc.subject.other Art history
dc.title The handmade artists' book: space, materiality, and the dynamics of communication in book arts
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. College of Communication and Information Sciences
etdms.degree.discipline Communication & Information Sciences
etdms.degree.grantor The University of Alabama
etdms.degree.level doctoral
etdms.degree.name Ph.D.


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