The American counter gothic: monstrous women and their monstrous texts

Show simple item record

dc.contributor Beidler, Philip D.
dc.contributor Manora, Yolanda M.
dc.contributor Smith, Cassander L.
dc.contributor Marouan, Maha
dc.contributor.advisor Whiting, Frederick
dc.contributor.author Whitener, Bonnie
dc.date.accessioned 2017-03-01T16:24:37Z
dc.date.available 2017-03-01T16:24:37Z
dc.date.issued 2012
dc.identifier.other u0015_0000001_0000834
dc.identifier.other Whitener_alatus_0004D_10984
dc.identifier.uri https://ir.ua.edu/handle/123456789/1337
dc.description Electronic Thesis or Dissertation
dc.description.abstract Various texts theorize the wanton woman and the conditions that created her but none so much as Leslie Fiedler's Love and Death in the American Novel. His book speaks to a particularly American wanton, monstrous woman because, as Fiedler states quite accurately, the very roots of America are a result of our relationship with the other and with fear. The puritans feared God, Satan, Indians, and women. Over time, the United States has encountered myriad others to fear as well. As a result of this fear, says Fiedler, American literature is, at its heart, gothic literature. More importantly, this fear is demonstrated through a lack of mature love relations in American plotlines and in authors' characterizations of women. Fiedler is absolutely correct in his connection of an American gothic sensibility to a problematic relationship with women. However, his discussion of Hannah Webster Foster's novel, The Coquette, is inadequate. He suggests that Foster adheres to well-worn gothic motifs when, in fact, she does not. Eliza Wharton contains elements of a gothic and sentimental heroine. However, Eliza struggles in a culture of fear and convention and resists these forces as long as she can. This resistance to convention in the first novel written by a woman born in the United States indicates the beginning of a conversation with the American gothic consciousness Fiedler suggests. My claim, therefore, is that there is another set of stories and symbols that runs counter to this gothic sensibility so deeply entrenched in American literature. There are writers who create female characters that resist conventions but are aware of a "gothic "conversation, with Foster and The Coquette as the initiators of this conversation. Novels that also have this conversation include The Scarlet Letter, The Awakening, Lolita, and Sula. These texts were each simultaneously
dc.format.extent 123 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.haspart Supplementary materials includes a table of contents PDF file.
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Literature
dc.title The American counter gothic: monstrous women and their monstrous texts
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. Dept. of English
etdms.degree.discipline English
etdms.degree.grantor The University of Alabama
etdms.degree.level doctoral
etdms.degree.name Ph.D.


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Browse

My Account