Happily ever after and the battle of the races: a critical and cultural approach to reality television - the Bachelorette vs. the ultimate merger

Show simple item record

dc.contributor Butler, Jeremy G.
dc.contributor.advisor Boylorn, Robin M.
dc.contributor.advisor Black, Jason Edward
dc.contributor.author Mixon, Anita
dc.date.accessioned 2017-03-01T14:44:13Z
dc.date.available 2017-03-01T14:44:13Z
dc.date.issued 2011
dc.identifier.other u0015_0000001_0000660
dc.identifier.other Mixon_alatus_0004M_10856
dc.identifier.uri https://ir.ua.edu/handle/123456789/1165
dc.description Electronic Thesis or Dissertation
dc.description.abstract The pervasiveness of reality television (RTV) can be observed by the sheer number of television shows that feature unscripted situations by non-actors thrust into seemingly "real" life situations. They range from shows like The Swan that promise to makeover an "ugly duckling into a beautiful swan," to The Amazing Race where participants use feats of athleticism and strategy to win cash prizes, to "catfights" and hyper-masculine displays of manhood or hyper-feminine displays of womanhood on The Bachelor and The Bachelorette to prove one's ability to attract the heterosexual "love" of the eligible bachelor or bachelorette. RTV has become a place in which stereotypes are reinforced, antiquated gender roles are resurrected, and violators who dare to step outside of the clearly defined White, heterosexual, American box are punished. Reminiscent of American canonical narratives of love, coded messages of position and place are interwoven throughout the storylines in competitive dating RTV programs which could contribute to legitimizing a particularly framed perspective of racialized and gendered behavior and expectations. Through the analysis of six episodes of each of the RTV shows, The Bachelorette and The Ultimate Merger, and juxtaposing them, this study uncovers how competitive dating reality programs explain the current state of culture and gender performance within U.S. society, including how certain racial performances are privileged.
dc.format.extent 126 p.
dc.format.medium electronic
dc.format.mimetype application/pdf
dc.language English
dc.language.iso en_US
dc.publisher University of Alabama Libraries
dc.relation.ispartof The University of Alabama Electronic Theses and Dissertations
dc.relation.ispartof The University of Alabama Libraries Digital Collections
dc.relation.hasversion born digital
dc.rights All rights reserved by the author unless otherwise indicated.
dc.subject.other Communication
dc.title Happily ever after and the battle of the races: a critical and cultural approach to reality television - the Bachelorette vs. the ultimate merger
dc.type thesis
dc.type text
etdms.degree.department University of Alabama. Dept. of Communication Studies
etdms.degree.discipline Communication Studies
etdms.degree.grantor The University of Alabama
etdms.degree.level master's
etdms.degree.name M.A.


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Browse

My Account