(2019) McGee, Alexis; Love, Bettina; Waters, Billye Sankofa; Evans-Winters, Venus; University of Alabama Tuscaloosa
This chapter critiques Lauryn Hill's debut album, The Miseducation of Lauryn Hill, through a Black feminist and rhetorical lens. I argue that looking at Hill's album as a body of work provides a blueprint for acknowledging Black women as holistic agents of change.