The United States Air Force Band has long served as a driving force in the commissioning of professional-level wind band literature. By soliciting the most sought-after composers, the Air Force Band ensures that many of their commissions grow into staples of wind band repertoire. Exemplary of this trend are the five service band compositions by Claude T. Smith (1932–1987). Of these, Festival Variations (1982) and Danse Folâtre (1986) offer the most characteristic representations of his innovative compositional style. Smith’s essential compositional traits can be divided into three main areas: first, his unique treatment of motives and variations; second, his frequent use of irregular and mixed meter; and finally, his practice of composing demanding, highly technical parts for each of the wind ensemble’s constituent instruments, exemplified especially by his innovative writing for horn. This document will first provide a brief biography of Claude T. Smith, focusing on his early career as a teacher, composer, and leader in the wind band community. Second, it will explore the compositional influences that led to the development of his mature style. Third, it will discuss the relationships that led him to compose professional-level wind band music. Finally, it will provide a detailed examination of Festival Variations and Danse Folâtre, highlighting Smith’s innovative compositional approach.